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After recording vocals through the Presonus Studio Channel Preamp I don’t have to do much work getting them to fit in the mix.

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After gain staging the mic and tuning in the compressor, vocals coming through the compressor will cut clean through your mix and still maintain the characteristics and dynamics of an uncompressed recording.

Utilizing the parametric equalizer on the Presonus Studio Channel Preamp gives you even more control over your recording.

There are 3 bands, including a high and low shelf with a variable cutoff frequency that can be set.

The compressor built into the Pre Sonus Studio Channel Preamp is very functional with all the controls you’d want in a compressor.

You have your standard threshold, ratio, attack, release, and post gain.

On top of the standard functions it also has switches for soft/hard knee, auto compression, Post/Pre EQ toggle and GR to Meter.

You can also bi-pass the compressor completely with one button.

You can also set the central frequency for the “mid” band and change the width with the Q control.

Steve from Pre Sonus also provided me with this link for our viewers to learn more about equalization: Not only does the Pre Sonus Studio Channel have all the great features mentioned above, but the preamplifier itself is pretty amazing.

734 Comments

  1. After recording vocals through the Presonus Studio Channel Preamp I don’t have to do much work getting them to fit in the mix.

  2. Typically just adding a slight reverb and maybe cutting out a little room in some instruments that might be masking some frequencies leaves the vocals sitting on top and sounding good.

  3. There is your pre-gain, the tube drive/gain as well as a post gain (after the EQ and Compressor) allowing you to really crank the amplitude of the signal up while still preventing clipping with the compressor.

  4. I’m really impressed with how well this compresses vocals.

  5. After gain staging the mic and tuning in the compressor, vocals coming through the compressor will cut clean through your mix and still maintain the characteristics and dynamics of an uncompressed recording.

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